Oh, and you’ll also get Ghost Shift, in case you don’t have it already.
![reaktor free reaktor free](https://blog.native-instruments.com/wp-content/uploads/dynamic/2020/01/top-free-vintage-inspired-reaktor-ensembles-the-chiller-1920x0-c-default.jpg)
Plus, you’ll receive notification and another link when the Roux Stepper is updated with improved audio and sequencing features. The cost is zero and a link will be delivered to your inbox instantly.
Reaktor free download#
The Roux step sequencer is free and you can download it from the Reaktor Tips shop here:
Reaktor free how to#
See my previous post here to download the Roux macro on its own, and find out how to use it in your structures. The next thing you might want to try is adding some better sounding audio generating modules, like a choice of waveforms, a filter or two, a filter envelope, an LFO – and of course, more Roux sequencer macros to control some of these parameters. My philosophy is, if you already know what your music is going to sound like before you produce it, why bother? Make tools that produce happy accidents. This lets the sequence morph and change in interesting and unpredictable ways over time. One thing you’ll notice about this contraption is that it can have different sequence length and clock speed settings in the pitch and gate sequencers, one of the features you’ll also find on its big brother the Chroma sequencer. So values greater than zero go to Hi, and values of zero or less go to Lo. When there’s nothing connected to Thld, Reaktor interprets this as a zero threshold. The threshold port determines what values go to the Hi and Lo outputs. Notice that the Separator module has two input ports – an “In” and a “Thld”. That way, only positive non-zero values of the gate trigger a new pitch. The output of the Gate sequencer, which controls whether there’s a note on a certain step and how loud it is, goes through a separator. Added a synced stereo delay, to make things a little more interestingĪside from the innards of the constrain-to-scale and delay macros, most of this should be straight-forward, but I want to talk a little more in depth about the use of the separator and value modules.the aforementioned Pitch Correction macro from Spiral.
![reaktor free reaktor free](https://i0.wp.com/www.synthtopia.com/wp-content/uploads/2017/03/reaktor-buchla.jpg)
![reaktor free reaktor free](https://enormeimposible-sikerul.com/fnh/gNQBKhVW5MI67AFSAJkcGgHaEK.jpg)
This is a sequencer macro that is the equivalent for programming sequenced instruments in Reaktor – you can take it in any direction from here. In French cooking, there’s a sauce base called a roux (pronounced “roo”) that is the foundation of bechamel and other sauces.
![reaktor free reaktor free](https://www.synthanatomy.com/wp-content/uploads/2017/12/Zebra-2.8.001.jpeg)
Update: hey, this is back online now at ! Awesome! Also see here where I’ve built an updated version of the Roux macro that is used in this tutorial.
Reaktor free series#
Well, the product is defunct and the old site is down, so here is the first in a series on the Roux sequencer macro, showing how it can be used to manipulate the read position in a basic grain delay. This is part of a set of tutorials I did for Peter Kirn’s Kore site back in 2008 – we were creating materials that highlighted Native Instruments products and how they could be used in Kore.